Dramatic Roots

Dramatic Roots

Home
Notes
Books | Plays | Mentoring
About

Share this post

Dramatic Roots
Dramatic Roots
Ode on a Yew Tree

Ode on a Yew Tree

Weekly Poem (Audio)

Ren Powell's avatar
Ren Powell
Mar 27, 2025
18

Share this post

Dramatic Roots
Dramatic Roots
Ode on a Yew Tree
8
7
Share
Article voiceover
1×
0:00
-4:31
Audio playback is not supported on your browser. Please upgrade.
Cross-post from Dramatic Roots
I'm not certain how cross-posting works. I also don't know the overlap between my subscribers here and the subscribers to Dramatic Roots. I didn't think I was going to write about cancer. But apparently, I need to. -
Ren Powell

This surprised me. It’s not what I have been planning to write about. In fact, just last week I said I wouldn’t be writing a collection about cancer. Now, who knows.

Notes:
”Words, words, words.” is a quote from Hamlet Act 2, Scene 2.
A sentinel is a guard, but it is also something that indicates disease.
Yew tree needles are used to make a very common chemotherapy drug.

____________________

Ode on a Yew Tree 

No one told me my veins would hurt
That my fingers would trace them along my left forearm
and where once there’d been a wash of blue, 
there’d be smudged lines of black, like charcoal

No one told me that ever-after
tapping the flow of red cells and white cells 
of plasma and platelets would be so god-damned hard
that I’d wonder if I had any life to spare

My body is a furnace now 
stoked by needles, fueled by
the needles of yew trees, 
burning indiscriminately.

Once the letters flowed from my left hand, flowing
into the next, and the next, to make “Words, words, words.”
Then a pause for breath. 

The curved edge of my left hand 
would smudge the blue ink like a slow-shutter image 
of the invisible dance of that particular language.

And now, I try to learn to crochet, lying in the sick bed
when words, too, only come with the stabbing 
of a hook that might catch one and drag it
into place, but
I have too few words for pain, discomfort, amputation
to arrange on a white sheet of paper. 

Once upon a time, I studied croquis, capturing bodies
on white paper and avoiding setting defining lines at all costs
Soft charcoals, smudged edges, allow an artist to ease 
one arbitrary body part into the next 
with respect (and I mean this literally) for a whole.

There’s always a lesson in returning. The river is
familiar—the currents and the obstacles. But
the yew tree has changed me. It lines the banks
like dispassionate sentinels. 

I wade in slowly
white paper in my right hand
languages in my left

(not yet published. ©Ren Powell . 2025) Image unsplash

Thank you for taking the time to read or listen. I’d love to hear your thoughts—I hope that you will share them in the comments on Substack, or join the discussion in the Dramatic Roots chat, where note sharing can be an act of literary citizenship. Post a link to your work, and share another.

I’ll be back later this week with a process journal essay. Until then, may your week be filled with good moments.

Warmly,

Ren


Spread the love. It only takes a little ❤️ And if you like me, you really like me:

If you’re not ready to commit to a subscription, or have reservations about substack, I’m always happy to accept A CUP OF COFFEE ☕.

American, European, African? Please consider submitting to the anti-fascist anthology!

Dramatic Roots
Call for Submissions
Call for International Submissions…
Read more
5 months ago · 20 likes · 2 comments · Ren Powell

18

Share this post

Dramatic Roots
Dramatic Roots
Ode on a Yew Tree
8
7
Share

No posts

© 2025 Ren Powell
Privacy ∙ Terms ∙ Collection notice
Start writingGet the app
Substack is the home for great culture

Share